Introduction
The existence of trained actors, role players or volunteers that portray disaster victims during emergency drills for responder training purposes is universally accepted. These are crisis actors pure and simple.
Equally, it’s generally accepted that false flag operations have taken place throughout history, acts committed with the intent of disguising the actual source of responsibility and pinning blame on another party. The ideal case scenario from a planning perspective is if nobody’s harmed in the execution of the relevant operation itself as then there’d be no practical difference between an emergency drill and a false flag hoax.
The case can be argued that no real victims is always the preferred solution as it allows for an environment that’s easier to control, as well as avoiding unpredictable challenges that comes with killing innocent people. An exception that proves the rule is an internal orchestrated event of the magnitude of 9/11 where unlimited public-private partnership resources exist to achieve their goals. The only fact known from that day is that three towers collapsed in their own footprint (and that it was pre-planned by the enemy within. The Establishment).
In smaller productions, tightly controlled and prearranged scripts conveniently allow for accompanying controlled mainstream media stories to be published within the blink of an eye, as the ‘victims’ are known in advance.
In short, provided it’s possible to create the desired illusion of a real incident in the mind’s eye of the public, then their objective has been achieved. There’s no place for improvisational theatre. Where competing theories exist to how an event was executed, the principle of Occam’s razor will provide the answer nine times out of ten. Simplicity behind the dramatic presentation is always a production team’s best friend.
There’s an important question that has potential to reveal so much. Who are the crisis actors and role players and what can we understand about them? Since the scamdemic, a majority continue to be unwittingly sucked into the proliferation of other types of hoax event that are staged for different reasons (not for elaboration here). The events I refer to often centre around a single individual that disappears in mysterious (but non-suspicious) circumstances before being “found” deceased.
In these more drawn out affairs with a coordinated and escalating media frenzy, it’s more straightforward to determine who the central role players are. This in turn provides a valuable opportunity to gain a better understanding into the nature of these on-screen actors role-playing a crisis.
I recommend a read of this recent excellent article by Francis O’Neill for context and an appreciation of this subject in which I’ll drill down further. The sequel (Part 5) is also relevant and a great read.
To summarise, Francis clearly articulates what many of us are able to see in plain sight; an uneven playing field in exposing the truth as the Establishment is supported “by a multi-billion pound (or dollar) military grade propaganda machine replete with behavioural scientists, and all the machinery of the media, state, and related institutions.”
Reference is made to the scamdemic and Manchester Arena false flag hoax while also making a key observation that strikingly few whistle-blowers exist amongst the very large numbers involved in whichever large scale deception is foisted on the public.
From this well-made observation, I propose to introduce subgroups that adopt and embrace the tangled web of lies. For simplicity, I crudely categorise them into just three subgroups. These broad categories can equally be applied to corrupt police forces which I’ll revisit in another post, able as I am to draw on first-hand experience with a live ongoing (IOPC) case against Surrey Police.
The subgroups are:-
[1] Decision makers. The producers and directors all of whom are part of the big club.
[2] Minions. A sizeable hierarchy among which we find the scriptwriters, the cast of actors presented to the audience and all associated media personnel and state assets working false narratives.
For perspective, in relation to the global scamdemic these three appeared almost daily on national television and would be categorised as minions. High ranking and very senior among a cast of actors, but minions nonetheless.
[3] Cover-up teams. Personnel across disparate organisations to ensure a hoax doesn’t become commonly known to the wider public. The requirement is to protect the official Establishment narrative at all cost through whichever means necessary. Facilitators of a perpetual rinse and repeat cycle, as we all march on to the beat of the drum towards the planned destination that’s in the process of becoming.
As for the whistle-blowers that are so few and far between, they’d realistically emerge from the much larger numbers of others not part of the above subgroups, and that by virtue of their jobs can’t avoid confronting the deception. It’s staring them right in the face.
In light of many disincentives for speaking out, the majority internalise the deception and absolve themselves from any responsibility of associated repercussions that follow rather than standing up. Sticking their head in the sand is an apologist viewpoint, instead it’s my opinion this is when an individual’s faced with the option to ‘know thyself.’
Returning to the above linked article, the perspective offered of crisis actors is however too narrow in focus and a topic that hasn’t been delved into. It unfortunately draws on a recent hit piece by a journalist with an agenda that’s anything but transparent. The journalist (with more than 50,000 Twitter followers) states she wasn’t able to identify a single person who’d participated in numerous dancing nurse videos and therefore concludes that they were “actors”.
Using unconvincing arguments such as “most nurses I spoke to denied participating and said they wouldn’t have been allowed to even if they’d wanted to.” She then goes onto seek to influence her audience that the principle applies to members of the police force, ambulance service and fire service. To consider them as merely actors from stage school in costume.
In my opinion, there’s an underlying agenda in her recent, lengthy article referred to relating to these choreographed spectacles from four years ago. It also prompts the question why it’d be revisited now, other than an opportunity to create a clear distinction between actors on screen and supposed real life events that are reported in the media. Might her objective be to lead her followers down a path whereby they’re ill-equipped to identify hoax events (comparable to reality shows) that are taking place all of the time.
To dupe people into accepting that if an event involves unquestioningly real people in positions of authority, it stands to reason that the event itself must be real. In contrast to “actors” where the Establishment are only too pleased to allow aspects of their on screen chicanery to be a focus of attention and distraction. Breadcrumbs for the gullible, and long may everyone remain oblivious to the social engineering that never ceases. A smart woman that I have reason to believe knows what she’s doing.
Back in 2020-21 I readily admit to making a similar (logical) assumption of “actors” for much of the absurdity we witness, however from patiently investigating current hoax events since that time, something far more sinister reveals itself.
Commonality among hoax events
All hoax events no matter the genre require the same duplicity amongst the cast, and for this reason a deep dive into smaller scale, but high profile media-driven hoax events can shine a light on this key aspect. Without the players, there could never be a performance and so this does matter.
The background deception to each of the examples I now refer have been documented in detail in prior blog posts.
The particular aspect I’m drawing on here are characteristics of the respective A-Listers only from each staged deception, be it victim or witness or other direct cast members.
Hoax Events - “actors or role players?”
(1) Nicola Bulley hoax
St. Michaels-on-Wyre is a real (small) village in Lancashire. The enacted disappearance was staged by local residents, some of whom have lived in the village over 20 years. The main clique of the show and obvious link to Nicola Bulley is via the group of friends all who have children that attend the local primary school.
Her close-knit family is real, which includes her partner and father to their two daughters with whom she enjoyed a strong relationship (contrary to false narratives that ‘controlled opposition’ were tasked with during the hoax).
The real mystery is how in Gods-green-earth such a performance and wall of silence can endure, after the whole of this village in Lancashire became a film set for just over three weeks. The hoax involved the British Government, Lancashire Constabulary, the BBC and other international media conglomerates, as well as a host of foreign state actors.
Other than this mystery, the priority ought for it to be high time to expose the Establishment and flush out the networks that allow for these deceptions to occur.
(2) Ewelina Sasak hoax
The lesser-known freakish and beyond absurd sideshow scripted as an integral part to the many seasons of the long-running Nicola Bulley theatre. The supposed grisly death of a Polish Lancashire-based vet (in a London boutique hotel) made for the big screen (well, YouTube anyway). ⬇️
Once again, she genuinely was a regular individual that had settled in the UK after becoming qualified in her native country of Poland. During May 2023, one minute she was here and the next her (fake) demise was made known via her employer’s Facebook page. Involvement of corrupt police and other agencies is par for the course, but unlike Nicola Bulley there are no further supporting cast members to speak of.
(3) Gaynor Lord hoax
In Dec 2023 a further instalment of the Nicola Bulley franchise, the core cast doesn’t extend beyond close family. The usual police force to coordinate activities and the presence of selected Establishment media resources to build the unfolding narrative. Dubious witnesses were conjured up to sensationalise media stories but later melted away as if they’d never existed.
The lengthy eulogy by her husband was written the very day she theatrically disappeared. It was simply read out at the inquest by the coroner, an inquest he didn’t have the need to attend himself. The two main points are that she hailed from Blackpool, Lancashire and that her family is for all intents and purposes a regular family (and not stage actors).
(4) Xielo Maruziva (Leicester canal) hoax
By Feb 2024, and with state actor Peter Faulding sonar image hoax plans from 2023 having suffered a setback, this encore was staged to catapult him to stardom in the eyes of the public. It was Leicestershire police called upon on this occasion as front of house who arranged what can only be described as a low-key film set for a scheduled finale 27th Feb 2024, while the media were working overtime as usual to maximise an audience. All documented in earlier posts.
Unlike the tight-knit and harmonious family twelve months prior with Nicola Bulley, on this occasion it involved the disappearance of a toddler and another real, but fractured family. The young father’s close family are estranged from the young mother and her close family. All the visible media activity was managed by the mother’s side with the father’s family kept out of the spotlight. Once again, the point is these are not traditional actors but real people embroiled in a hoax that was coordinated on the ground by Leicestershire Police.
If the events from Feb-Mar 2024 weren’t sufficiently bizarre then there’s a five-page diatribe that Kayela Smith recently posted on her Facebook page dated 22nd Oct 2024 (shared hundreds of times). Due to the content I’ll not share it here, but her post is in the public domain and accessible to view by all. Albeit the purpose is to reinforce something happened rather than being a hoax event, it’s not much of challenge to read between the lines provided sufficient familiarity with the background.
There’s a further recent linked hoax that requires a separate follow-up, but it too reinforces a summary that I’m coming onto. The most important aspect is that these few (among so many more) are only examples to support the observation. There are ongoing live hoax events designed to be more than simple distraction.
Anyone found Jack yet? 🎪This team appear to be taking a temporary break in the run up to Christmas but as night follows day, the smart money is on a televised anniversary special in the pipeline. Perhaps Channel 5 once more Fri 7th Mar 2025? It calls for a creative conclusion from scriptwriters so that the BBC can then commission a subsequent show later in the year. Once again, as bizarre as it might first seem this is another real family participating in an unusual game of which there are only losers. No-one wins.
Wrap Up
Only by looking back at what took place during the scamdemic does what I’m going to conclude even start to seem feasible. The theatre that so many played a part in the UK was on a voluntary basis. It was in plain sight, ordinary people from all walks of life that elected to follow extraordinary ever-changing asinine rules. With all rational thought switched off, people fully committed to the fabricated reality asked of them. Real people did actually drive into temporary pop-up government-funded facilities to be swabbed, as well routinely using plastic gimmicks that responded just as well to a fizzy drink as with any sample obtained from a wholly unnatural ritual.
How proud so many were to swamp social media feeds with test results, unbeknown to them then (and still now) that they were displaying how they were mind control subjects. This led straight onto updating profile pictures (…“vaccinated”…) after having submitted themselves to injectable toxic products, the harmful effects of which can only be known in time. So relatively few seemed to comprehend that not only were we all being played, but that the highest rungs of the Establishment were taking pleasure in mocking us at the same time. Of course, it had to be William Shakespeare in Dec 2020 the first man to receive their product. 🎪
In the above I’m referring to a large number of real people (not actors) that don’t share common traits.
Ok, rather than relive what many’ll acknowledge but more will seek to ignore and hope it goes away, consider how few of this large cohort have ever acknowledged that they were reduced to little more than an automaton controlled by unknown third parties. It simply doesn’t happen and I suggest one reason is that they aren’t aware as they have no memory of these events.
I draw a parallel back to residents of St. Michaels-on-Wyre but it could be any other village in the country. What if people can be turned on and off like a light switch? The majority still believe the nonsense that continues to be reported in the media. This is actually the norm, not helped by heavy hitters with large platforms that masquerade as independent commentators who mainly repost mainstream media articles and channel their audience to the latest feature. Come on, surely it’s clear what’s going on. This is all supposed to appear relatively normal and reassuring, but this is only because it doesn’t call for active participation as with the scamdemic, but rather continuous passive conditioning for further events in the pipeline.
A prediction for 2025 is another global (or regional) event that’ll demand mass participation. Regardless of what it entails and atrocities people may be programmed to be complicit with, the majority will toe the line and comply. Just like that. Neighbours, family members, and others within any particular community. This is a problem few appear to be willing to address.
Finally, the conclusion I’ve been working towards is that there’s no separate fringe group of ‘actors’ with a rehearsed script as might be performed in a theatre before the main event.
Rather, it’s the entire population subject to social engineering, poisoning and pervasive psychological warfare aimed to subdue the essence of divine spirit that can be found in all things. Subjugation of our actual higher self, that’s not to be confused in this context with the associated demonic New Age deception. Everything that can be inverted or perverted is done so by the ruling demons that battle for control of this material realm using every trick at their disposal.
Thanks for reading. 🙏
I totally agree Chris, their capability to control the mind is beyond what most people could imagine.
Sometimes I can laugh at the absurdity of the false flag events being shoved down our throats on a daily basis. Other times I feel a deep sadness for my children and what their future holds, in a fear based subservient society.
Next up 🛸👽🤦♀️🤣
Many thanks for your hard work.